Category: Veronica Mars
Tis the Season for Christmas TV.
I love Christmas. Perhaps this is an obvious statement, but I don’t really care. I love Christmas. It’s fun to get gifts. It’s fun to give gifts. Also, Christmas is my birthday and thus doubly special to me. I know the holiday season is not all about celebrating the wonder of my existence, but it’s fun to pretend that the wreaths, the trees, the lights, the songs and especially the holiday-themed television episodes are a way of making up for the fact that I have to share my day with such a large percentage of the western world.
You may have noticed the word “especially” before “holiday-themed television episodes” in that paragraph. That’s because I love Christmas TV. Probably even more than I love popping in my Love Actually DVD as soon as Thanksgiving dinner is off the table. Each year brings new episodes to the canon (I can think of several really excellent episodes from this year, some of which you’ll see mentioned below), but going back and revisiting the “classics” is good fun too.
I could not possibly come up with a comprehensive list of Christmas TV, and without one I wouldn’t dare to try an official East Cupcake top ten list. What I have to offer, however, is a list of ten Christmas episodes–or at least ten shows, there are a few series on this list that have turned out more than one excellent Christmas episode–that I especially love. This isn’t definitive, it isn’t complete, it’s just a handful of suggestions, things I plan to watch over the next few days to get in the spirit of this time of year.
Community has now turned out a Christmas episode in each of its three seasons and while the first one was fine (worth it for the Forest Whitaker eye alone), the second and third are outstanding. “Abed’s Uncontrollable Christmas” manages to be a silly and loving homage to the stop motion Christmas specials of yore and also a heartbreaking story about Abed’s inability to deal with his own emotions. “Abed’s Uncontrollable Christmas” is actually quite similar to a later episode in season 2, “Advanced Dungeons and Dragons.” They’re both stories of this study group sitting in a room with someone they believe is at risk, trying to talk them down in their own ways, but “Abed’s Uncontrollable Christmas” hides it behind stop motion and musical numbers. In many ways it is tremendously sad. “Regional Holiday Music,” however, is transcendant. If Community never comes back (though I’m choosing to remain optimistic), at least it will have ended on an absolute high note, a better episode of Glee than any episode Glee has ever done. The songs are goofy, the jokes send up Glee, yes, but also aspects of Community, like all the messed up dimensions of Annie’s relationship with Jeff. And it’s unrelentingly hilarious.
The O.C. did a Chrismukkah episode in each of its four seasons, but I’m only recommending three of them because I can barely remember the events of “The Chrismukkah Bar Mitzvah-kah” (beyond the fact that there was a Bar Mitzvah). The other three episodes are each delightful in their own way, though, whether Seth’s first introducing the holiday in season 1, Lindsay’s true family tree is coming out at the world’s most awkward Christmas dinner in season 2, or Ryan and Taylor are trying to put the Cohens back together in a world where they don’t exist (or were born the wrong gender) in season 4. (The O.C. Mix 3: Have a Very Merry Chrismukkah is a staple in my Christmas playlist, too.)
How I Met Your Mother has turned out nearly as many Christmas episodes as it has seasons and they’re all worth watching at this time of year. “How Lily Stole Christmas” is funny and sweet and it explores Lily’s friendship with Ted, which doesn’t always get as much attention as either of their relationships with Marshall. “Little Minnesota” does this with Marshall and Robin, another little seen pairing and the primary reason I love the episode so. Last year’s “False Positive” and this year’s “Symphony of Illumination” have both explored the days after learning you’re pregnant and what that means both for those who want kids and those who don’t, as well as the roles your friends play in a moment of personal crisis. The two episodes took those stories in different directions, but they both did a great job with it. “False Positive” is also especially and exceptionally funny, and the home of Ted’s Christmas-Themed Movie Snack.
Before I started watching Doctor Who I never got new TV on my birthday. Times have changed, though, and now each year brings a new Christmas special like it’s a birthday present just for me. And with only one exception (*cough*”The Next Doctor”*cough*), they’ve all been pretty incredible. Just think of that moment when the Tenth Doctor steps out of the TARDIS at the end of “The Christmas Invasion,” awakened by spilled tea and ready to save the world (again and also for the first time). He’s tasting blood and quoting The Lion King and having a sword-fight on the ledge of a spaceship over London and it’s fantastic. Or think about loud, brilliant, loud Donna’s introduction in “The Runaway Bride.” Or Astrid’s fate in “The Voyage of the Damned.” Or the Tenth Doctor’s heartbreaking swan song in “The End of Time.” Or the way “A Christmas Carol” plays with sharks and stories and the ways time can be rewritten. Even “The Next Doctor” isn’t terrible, it just doesn’t live up to my expectations after so many other great Christmas specials.
The US version of The Office has turned out 5 Christmas episodes in 8 years, and while they’ve all had their moments I’d say these three are the best of the bunch. “Christmas Party” is both hilarious–Michael turning Secret Santa into Yankee Swap–and heart-wrenching–Jim trying to make sure Pam gets the present he’s probably been planning for years. “A Benihana Christmas” pits the Party Planning Committee against the Committee to Plan Parties and finally unites Karen and Pam as friends (however briefly). And “Classy Christmas” is a brilliant study in psychological torture.